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Journal : JURNAL SENI MUSIK

BENTUK MUSIK DAN FUNGSI KESENIAN JAMJANENG GRUP "SEKAR ARUM" DI DESA PANJER KABUPATEN KEBUMEN Fatkhurrohman, Ali; suharto, suharto; Susetyo, Bagus
Jurnal Seni Musik Vol 6 No 1 (2017): June 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1277.774 KB) | DOI: 10.15294/jsm.v6i1.15476

Abstract

Jamjaneng is a music art that uses musical instrumental of kendang, gong, kempul (ukel), kemeng, thuling (kenthung) along with Islam-based religious song. The term Jamjaneng is derived from its founder, Syaikh Jamjani. This music art mostly performed as an entertainment part of wedding ceremony, khitan ceremony, slametan ocassion, and as an art program in the radio This research was aimed at finding out (1) The musical form of Jamjaneng art group “Sekar Arum” of Panjer Village in preserving its existence (2) The Functions within this Jamjaneng music art. The method of investigation was held through a descriptive-qualitative research with the analysis of data validity. The data was collected by conducting observation, interview, and document study. Technique of analyzing data of this research were data reduction, data presentation, and conclusion drawing/verification. The result of the study showed that the form of Jamjaneng music art were homophonic and polyrhythmic, the melodies were played simultaneously and had a different rhythmic pattern. According to Sudarsono, Jamjaneng music art had two functions, they were aesthetic function which shown at Jamjaneng Festival of Kebumen Regency and entertainment function which shown at wedding ceremony, khitan ceremony, and slametan occasion. Keywords: jamjaneng, Panjer, khitan, slametan
Model Kemasan Bentuk Penyajian Musik Dangdut Klasik pada Grup Musik Rhomantika, Mijen, Semarang sulistyaningtyas, ummun nesya; Suharto, Suharto
Jurnal Seni Musik Vol 6 No 2 (2017): December 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (670.441 KB) | DOI: 10.15294/jsm.v6i2.16124

Abstract

Tujuan penelitian ini adalah untuk mengetahui, menganalisis dan mendeskripsikan model kemasan bentuk penyajian musik dangdut klasik yang ditampilkan oleh kelompok musik dangdut Rhomantika.Metode penelitian yang digunakan dalam penelitian ini adalah deskriptif kualitatif. Teknik pengumpulan data berupa observasi, angket, wawancara, dan dokumentasi. Hasil penelitian menunjukkan bentuk penyajian pada grup musik Rhomantika termasuk dalam jenis penyajian musik campuran, yaitu penyajian karya musik yang memadukan antara penyajian vocal dan musik instrumental. Model kemasan musik dangdut klasik terdiri dari dua aspek yaitu indoor dan outdoor.Pada model kemasan indoor, dilakukan di dalam ruangan yaitu di studio Rhomantika. Kegiatan yang dilakukan adalah melakukan video shooting bersama seluruh personil dan penyanyi ibukota. Pada model kemasan outdoor, dilakukan di dalam ruangan yaitu di studio Rhomantika. Kegiatan yang dilakukan adalah menampilkan lagu sesuai konsep bersama penyanyi ibukota. Kedua model dilengkapi dengan bentuk penyajian baik tata rias, busana, panggung, lampu, suara sesuai model kemasan baik indoor maupun outdoor. The purpose of this research is to know, analyze and describe the packaging model of classical dangdut presentation form presented by Rhomantika dangdut music group. The research method used in this research is descriptive qualitative. Data collection techniques such as observation, questionnaires, interviews, and documentation. The results showed the form of presentation on the Rhomantika music group included in the type of mixed music presentation, namely the presentation of music that combines both vocal presentation and instrumental music. Classic dangdut music packaging model consists of two aspects: indoor and outdoor. In the indoor packaging model, done indoors is in the studio Rhomantika. Activities performed is to do video shooting with all personnel and singers of the capital. In the outdoor packaging model, done indoors is in the studio Rhomantika. Activities performed is to perform the song in accordance with the concept of singer of the capital. Both models are equipped with a form of presentation of good makeup, fashion, stage, lamp, sound according to both indoor and outdoor packaging models
PERAN PELATIH DALAM MEMBANGUN PELATIHAN PADUAN SUARA YANG MENYENANGKAN DI PADUAN SUARA VOICE OF CONSERVATION (VOC) UNIVERSITAS NEGERI SEMARANG Kurniawan, Cessna; Suharto, Suharto
Jurnal Seni Musik Vol 8 No 1 (2019): June 2019
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (467.73 KB) | DOI: 10.15294/jsm.v8i1.29207

Abstract

Paduan suara Voice Of Conservation (VOC) merupakan salah satu unit kegiatan mahasiswa (UKM) di Universitas Negeri Semarang yang anggotanya adalah gabungan mahasiswa dari berbagai fakultas yang ada di UNNES. VOC terdiri dari banyak orang yang memiliki karakter yang berbeda. Walaupun begitu, VOC tetap berprestasi dalam skala nasional maupun internasional. Dengan banyaknya prestasi yang dicapai, tentu tujuan dari penelitian ini adalah untuk mengetahui bagaimana peran pelatih dan apa saja yang dilakukan pelatih sehingga paduan suara Voice Of Conservation bisa berprestasi. Penelitian ini menggunakan pendekatan deskriptif kualitatif. Pengumpulan data melalui observasi, wawancara dan dokumentasi. Teknik analisis data yang digunakan adalah penyajian data, reduksi data, dan kesimpulan. Hasil dari penelitian ini menunjukkan bahwa dalam proses latihan, pelatih akan memposisikan dirinya menjadi seperti pemimpin, sahabat, dan orang tua bagi anggota paduan suara. Itu semua adalah wujud dari pemahaman pelatih tentang pentingnya memahami sisi psikologis anggota dengan memandang dari segi ilmu psikologi.
PEMBELAJARAN LAGU DOLANAN UNTUK MENANAMKAN NILAI KARAKTER PADA SISWA SD NEGERI SEKARAN 01 Hardiyan, Rizki Candra; Aesijah, Siti; Suharto, Suharto
Jurnal Seni Musik Vol 8 No 2 (2019): December 2019
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (485.79 KB) | DOI: 10.15294/jsm.v8i2.35048

Abstract

Melalui lagu dolanan, anak dapat bermain sekaligus belajar bernyanyi, melakukan gerak secara fisik, bersenang – senang dan bergembira serta bersosialisasi dengan teman sebaya. Ditambah lagi lirik lagu dolanan yang mengandung pesan pendidikan moral yang berkaitan dengan kehidupan sehari – hari anak. Penelitian ini bertujuan untuk menganalisis dan mendeskripsikan tentang pembelajaran lagu dolanan untuk menanamkan nilai karakter pada siswa SD Negeri Sekaran 01. Penelitin ini menggunakan metode kualitatif deskriptif. Teknik pengumpulan data menggunakan observasi, wawancara, dan studi dokumen. Teknik keabsahan data menggunakan triangulasi teknik pengumpulan data, waktu dan sumber. Data yang terkumpul kemudian dianalisis dengan teknik analisis melalui tahapan reduksi data, penyajian data dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa Guru selalu menekankan aspek karakter dengan menyisipkan nilai-nilai karakter ke dalam materi pembelajaran. Dengan kata lain, guru selalu menyampaikan aspek karakter lewat pengembangan materi pada pembelajaran.
Creative Process Of Extracurricular Nasheed Al-Mutazam Integrated Boarding High School In Kuningan Barat Jawa Barat Herlambang, Agam; Suharto, Suharto; Susetyo, Bagus
Jurnal Seni Musik Vol 9 No 1 (2020): June 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1633.739 KB) | DOI: 10.15294/jsm.v9i1.34110

Abstract

Nasyid extracurricular students at SMAIT Al-Multazam are students with a lack of musical experience but produce musical abilities to create nasyid works. The aim of this research is to find out and describe how the creative process of nasyid extracurricular students in creating nasyid works. This research use desciptive qualitative approach. Data collection techniques used were interviews, observation, and study of documents. The results of this study the creative process carried out by nasyid extracurricular students includes 4 stages, namely determining ideas, the process of creating nasyid lyrics, determining the chords in nasyid song lyrics, the method of composing chords on nasyid songs and the creation of a nasyid work. The conclusion is that the Nasyid extracurricular students are still in the learning stage but choose to pursue it to create a nasyid work so that it has a creative process to create nasyid works that can produce a work.
Musical Development Of Barongan Turonggo Laras Through Additional Instrument In Kendal Regency Dewi, Cicilia Dikna Astrina; Suharto, Suharto
Jurnal Seni Musik Vol 10 No 1 (2021): June, 2021
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v10i1.46058

Abstract

This study aims to determine, describe, and analyze the development of the Barongan work of the Turonggo Laras group in Kendal Regency. The method used is descriptive qualitative with a musicological approach. Data collection techniques include observation, interviews, and documentation. The results showed that the development of working on Barongan Turonggo Laras music was in the form of adding western musical instruments, such as drums and keyboards in collaboration with gamelan. The use of the keyboard is intended as a filler for the main melody in campursari songs. This is because there are tones in the campursari song that does not exist on the gamelan instrument but exist on the keyboard. The addition of drums in the show is intended to lift the mood and strengthen the trance scene. The drum play tends to follow the dynamics of the kendang when accompanying the performance.
Co-Authors A.A. Ketut Agung Cahyawan W Abd Rahman Adi Antoni ADY RAHMANTO, DHIDHIN NOER Afandi, Faisal Fari' Al Muttaqii, Muhammad Alamsyah, Mahdelia Fa’iq Anak Agung Ketut Sudharmawan Andari, Imelda Tri Ardiyanto, Jefri Arintina Rahayuni Arpandjam’an, Arpandjam’an Arum Purnaningtyas Arwinda Nugraheni Azzahra. M, Sitti Fatimah Bagus Prabowo, Yoghi Bagus Susetyo Dewannata, Danial Aghnia Dewi Retno Suminar Dewi, Cicilia Dikna Astrina DS, Priyarsono Durahim, Darwis Dwi Fajriyati Inaku, Dwi Fajriyati Eddy Soewandojo Eko Saputra Emdat Suprayitno Ervin Oktavianingtyas Faizah, Iva Fandanu, Rifky Fatkhurrohman, Ali Fauzul Hanif Noor Athief Feerzet Achmad Fitri, Nuzullia Fitriani Pramita Gurning Harahap, Desi Marwiyah Hardi Warsono Hardiyan, Rizki Candra Hendrik Hendrik Herlambang, Agam Hidayat, Ahmad Khilmi Hukama, Ikhwan Ibrahim Latepo Innawati Jusup Irianto, Sugeng Kipa Jundapri Kurniawan, Cessna Kushandayani, Kushandayani Kustiarana Willyandhika, Kustiarana La Ode Muh Munadi Lisnurani, Lisnurani Margaretha, Christine Marjunus, Roniyus Meliana, Dita Mimbadri, Yuris Moeljahwati, Endah Muchti Yuda Pratama Muh. Ibnan Syarif, Muh. Ibnan Muhammad Amin Muhammad Iqbal Fasa Muhammad Lukman Ngaliman, Ngaliman Nita Rukminasari Nunung Ernawati Nur Hidayati P. Fans Pebrianthy, Lola Pratama, Febrya Yoga Prihartini Prihartini Qomaruddin, M. Bagus Rahma, Maulidia Rahmadi Tambaru Ramba, Yonathan Reni Yuniarti Samiadji, Samiadji Samuel Febriary Khristyson Santosa, Teguh Budi Saragih, Imelda Margaretha Sarana Sarana setiawan, Darma Setiyawan, Trio Sigalingging, Marhaban Siswanto, Edy Siti Aesijah Skripsa, Tira Hamdillah Soesaptri Oediyani Solly Aryza Sri Ambarwangi Subroto, Agus Suhartono Sulaiman Sulaiman Sulianti, Wulan Murni Sulianti, Wulan Murni sulistyaningtyas, ummun nesya Suminar, Ratna Sunarso Sugeng Suryanto Suryanto Susi Dwi Widyawati suwarni, putri Thomas Saputro, Thomas Totok Prasetyo Tri Yuniningsih Trias Andati Uli Silalahi, Yuni Uli Silalahi Usman Hadi Wahyu Lestari Wattimena, Riles Melvy Widodo Sarjana AS, Widodo Yandono, Prayudo Eri Yandono, Prayudo Eri Yofita Sandra, S.Pd., M.Pd., Zico Farlin, Dr. Budiwirman, M.Pd., Yuliastutik, Lilik Yulis Setiya Dewi Yuliyani Yuliyani, Yuliyani